Baby Farm is a Nigerian limited series directed by Walter Taylaur and Kayode Kasum. Produced by Mo Abudu, it premiered on Netflix on March 21, 2025.
The series highlights the horrors of baby trafficking. It tells a story that is compelling and exposes a lot you may not have been aware of. It is rated 18+ for its mature themes.
The Premise
Adanna’s life takes a heartbreaking turn when she gets pregnant by her boyfriend—only for him to abandon her. Desperate to find him, she travels to Lagos, clinging to the hope that he might take responsibility. But Lagos is an unforgiving city. She never finds him. Instead, she struggles to survive, taking a job as a maid.
As her baby bump becomes more visible, she loses that job too. With no income and nowhere to go, she soon finds herself homeless, wandering the streets, alone and afraid.
Just when she nearly loses all hope, a foundation takes her in, claiming to provide shelter and care for pregnant women in need. Encouraged by Ebun, a warm and kind-hearted girl already staying at the foundation, Adanna reluctantly agrees to stay. She also meets Sis Barb, a nurse and the wife of Dr. Oliver Evans, the man behind the foundation.
Meanwhile, Cherise Uko, a celebrated actress, is living a different kind of nightmare—despite all her fame and fortune, she cannot conceive. This has become an all-consuming obsession. Her husband, Akin, is reluctant about unconventional methods, but Cherise is desperate. She turns to Dr. Oliver’s foundation for help and even becomes its ambassador, publicly championing its cause.
But not everyone is convinced by the foundation’s noble image. Joy, a relentless celebrity gossip blogger from JoyToTheWorld.com, has been following Cherise for years. She’s convinced there’s a scandal hidden beneath the surface, and she will stop at nothing to uncover it.
Then there’s Ify, a woman on a desperate mission of her own. Her younger sister vanished, and after following a trail of whispers, Ify is certain she is inside the foundation. But despite her best efforts, every attempt to reach her is blocked. Something isn’t right, and she knows it.
The story unfolds, revealing the horrifying truth behind the foundation. It’s not a sanctuary—it’s a prison. The captors exploit the trapped girls, reducing their bodies to commodities.Some attempt to escape. Many don’t survive. The ones who do are left broken, their voices silenced by those in power.
Adanna never imagined that one decision—seeking shelter at the foundation—would lead her down a path of unimaginable horror.In a desperate fight for survival, the characters make painful sacrifices and brutally expose the shocking truth in an unforgettable way.
Cast and Performances
The casting choices in Baby Farm were not just spot-on—they were exceptional. Each actor brought depth and nuance to their roles, making the harrowing narrative all the more gripping.
Onyinye Odokoro, in the role of Adanna, delivered a breakout performance that was both raw and compelling. She embodied the struggles of a young woman spiraling from hope into despair, making every moment of her journey painfully real. Her portrayal of Adanna’s vulnerability, resilience, and eventual reckoning was nothing short of captivating.
Genoveva Umeh, as Ebun, was one of the standout performers. She seamlessly navigated a complex character arc, shifting between warmth, confusion, and deep emotional turmoil. Her portrayal of a girl broken by circumstances yet clinging to fleeting moments of connection was both heartbreaking and mesmerizing to watch.
Langley Kirkwood, as Dr. Oliver Evans, was chilling in his restraint. He exuded the kind of evil that doesn’t announce itself with theatrics but lingers beneath the surface, wrapped in unnerving politeness. His calm demeanor made his character even more terrifying.
Jenny Stead, as Barbara Evans, was equally unsettling. She was a woman torn between supporting her husband and never really having the courage to waver on that support.
Folu Storms played Joy, the investigative journalist/blogger, with sharp determination and grit. She embodied the relentless pursuit of truth, even when the script didn’t always give her enough room to shine. Nonetheless, her performance added a much-needed voice of reason in the chaos.
Rita Dominic brought depth and nuance to Cherise Uko, a woman drowning in the obsession of having a child at all costs. In less capable hands, the character could have been one-dimensional, but Dominic infused her with layers of desperation, moral conflict, and vulnerability, making her decisions—no matter how questionable—feel human.
Joseph Benjamin, as Akin Uko, played the supportive husband with conviction, delivering a grounded performance that added emotional weight to Cherise’s storyline. Kiki Omeili, as Ify, depicted the desperation of a concerned sister with gripping realism, making her determination feel urgent and deeply personal.
And then there was Maggie Osuome, whose portrayal of Eniye—a mentally challenged inmate of the so-called foundation—was haunting. Her performance was so disturbingly authentic that it left a lasting impact. She didn’t just act; she became the role. You have to see it to truly understand.
Each actor contributed to making Baby Farm a gripping, unsettling experience. It was a masterclass in bringing horror to life—not the kind that lurks in shadows, but the kind that exists in plain sight, disguised as kindness.
What I liked About it
One of the strongest aspects of Baby Farm was how well everything came together—the acting, the set design, the cinematography, and the overall storytelling.
Every actor showed up prepared to deliver, and it was evident in the performances. There wasn’t a single weak link in the cast; each person fully embodied their role, making the world of the film feel disturbingly real. From Onyinye Odokoro’s raw and emotional portrayal of Adanna to Langley Kirkwood’s eerily composed yet sinister Dr. Oliver Evans, every character added depth to the story. The performances felt lived-in, making it impossible not to feel invested in their fates.
The film also didn’t hold back in its storytelling. It faced the brutal realities of human trafficking head-on, refusing to sugarcoat the horrors that vulnerable women face. The way it wove desperation, deceit, and the illusion of salvation into the narrative made it both an educational and deeply unsettling experience. It wasn’t just a thriller—it was a chilling exposé on a grim reality that many might prefer to ignore.
The set design of the foundation was another impressive element. Every detail—the cold, sterile rooms, the eerie sense of order, the underlying feeling of entrapment—was meticulously crafted to reflect the central idea of the movie. It was clear that a lot of thought had gone into making the environment feel both welcoming and suffocating at the same time, mirroring the deceptive nature of the so-called sanctuary.
The costume design also deserves praise. The carefully chosen outfits of the foundation’s residents and staff subtly reinforce the power dynamics at play. The visual contrast between the vulnerable and the powerful added another layer of storytelling that went beyond just dialogue.
And then there was the cinematography—polished, intentional, and immersive. The camera work guided the audience through moments of tension, despair, and fleeting hope with precision. The filmmakers composed each shot to enhance the scene’s emotional weight, immersing viewers in the characters’ claustrophobia, fear, and helplessness.
What Did Not Work
For a film as well-executed as Baby Farm, finding flaws wasn’t easy, but there were a few things that didn’t quite land.
Rita Dominic’s use of swear words felt oddly placed and unnatural. It was unclear what the filmmakers were trying to convey with this choice—was it meant to add intensity? Portray frustration? Whatever the intention, it didn’t quite translate convincingly on screen.
Then there was the revelation that Cherise and Akin were twins themselves and, by sheer coincidence, were looking to adopt twins—only for Adanna to conveniently be pregnant with twins. This part of the plot felt contrived, as if the film was forcing an unnecessary connection rather than letting the story flow naturally. It was one of the few moments that felt more scripted than organic, making it difficult to fully buy into that twist.
Final Thoughts
Baby Farm is not for the faint of heart. It is dark, gripping, and painfully relevant. While it has some flaws, it succeeds in shedding light on a very real issue, making it an important, if harrowing, watch.
How Would I Rate This Series?
4.5/5
Have you seen Baby Farm? What did you think about it? Do you think it handled its subject matter well? Let’s discuss!
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